1. Mr. Saburo Egawa is commenting in a Ongen publisher(Japan) Web site http://www.phileweb.com/show/topix/taket/

2. Moreover, Mr. Saburo Egawa is frequently taken up in the Saburo Egawa laboratory corner of the
Audio accessories magazine (Ongen publisher) and evaluated as an item indispensable to audition the laboratory.

3. Mr. Tadashi Hayashi is evaluated about TAKET-BATPRO on Power supply & accessories 2006(Ongen publisher),
"The octave improves at a dash by the two ways-Harbes + HL compact combination, it rises, the mezzo-soprano
of Hone Ottar dances in the sky lightly, the overtone element is brewed one after another, and reproduction with
he feeling of coolness made Is obtained, and the rise of losing temper and power of expression is felt to
the bass region".

4. Mr.Yutaka Suzuki is STERO magazine 2005. It is evaluated on the August edition (Ongaku-no-Tomo Co.),
"It became BATPRO and the cost performance went up further though it was thought that BAT1 was also cheap".

For TAKE-H2 & WHD

1. Mr. Saburo Egawa wrote on Record art magazine 2006. It is expressed by the column of "Manners of Audio + one "
in August (Ongaku-no-Tomo Co.), "A light, crisp tone was evaluated for the headphone as the feature,
and it wrote, the having been turning fish obtained the clear stream, and began to move pleasantly with WHD
from mud that was in before".

2. Mr. Akira Sumiyama is evaluated on the Audio accessories magazine 2006AUTUMN122 (Ongen publisher),
"Aging was felt insufficient a little by me. In an middle-range region, there are relaxed and brightness like
the capacitor type headphone. If aging advances, it is likely to become wonderful power of expression
because powerful not obtained by the capacitor type is felt as for a low-range. Moreover, it has been
understood to bury the space of the sound by the sound of micro-element for WHD as well as
TAKET-BATPRO and to increase smoothness.".

　　(Our comment;About the impression of this aging shortage. We thought that the high-range had been
emphasized a little was a cause of the crumble of the balance of the high pitched sound and the bass.
So we correct to which a high region was suppressed with damping materials.
The sound went up overall and the resolution in an improving low region went up as a result, too.
It feels admiration though only a little improvement because it renews mysteriously of audio to which
it extends to all frequency band region and the sound quality is improved greatly.
I would like Mr.Akira Sumiyama to evaluate it again if there is a chance. )